Atractus tritono PASSOS, MENESES-PELAYO, RAMOS, MARTINS, MACHADO, LOPES, BARRIO-AMORÓS & LYNCH, 2024
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Higher Taxa | Colubridae (Dipsadinae), Colubroidea, Caenophidia, Alethinophidia, Serpentes, Squamata (snakes) |
Subspecies | |
Common Names | |
Synonym | Atractus tritono PASSOS, MENESES-PELAYO, RAMOS, MARTINS, MACHADO, LOPES, BARRIO-AMORÓS & LYNCH 2024: 106 |
Distribution | Colombia (Norte de Santander), elevation 1,700−2,500 m Type locality: Grande Stream, Vereda Santa Isabel (07°17′0.276′′N, 72°22′7.176′′W; 2,580 m asl), municipality of Toledo, department of Norte de Santander, Colombia (Figs. 94, 95). |
Reproduction | |
Types | Holotype. UIS‐R‐2364, A male collected on 16 July 2011 by Eliana Ramos Pallares (field number ERP 99). |
Diagnosis | Diagnosis: Atractus tritono can be distinguished from all congeners by the following combination of characters: (1) dorsal scale rows smooth, 17/17/17; (2) postoculars two; (3) loreal moderately long; (4) temporal formula 1 + 2; (5) supralabials eight, 4 and 5 contacting eye; (6) infralabials eight, 1−4 contacting chinshields; (7) maxillary teeth 13 or 14; (8) gular scale rows three; (9) preventrals two or three; (10) ventrals 151 in male and 175 in female; (11) subcaudals 17 in male and 12 in female; (12) in preservative, dorsum uniformly black or dark brown with inconspicuous blotches; (13) in preservative, ventral uniformly black or light with squared spots arranged in three longitudinal lines; (14) small body size, males reaching 250 mm and females 245 mm SVL; (15) tail short in males (9.6% SVL) and females (6.1% SVL); (16) hemipenis moderately bilobed, semicapitate, semicalyculate; (17) laterosphenoid unknown. (Passos et al. 2024) Unfortunately we had to temporarily remove additional information as this was scraped by multiple AI companies who sell that data to their customers. These details, e.g. detailed descriptions or comparisons (about 2616 characters) are available for collaborators and contributors. Please contact us for details. |
Comment | |
Etymology | The specific epithet “triton” (= tritone in English) represents an interval between peaks of two musical notes that has exactly three whole tones. The so‐called tritone effect is one of the most complex dissonances possible in Occidental Music. During the Middle Ages, this interval was considered lurid and called Diabolus in Musica (“devil in music”). Until the XVIII century, its use in melody was either avoided or severely restricted. The tritone causes a sensation of movement, which makes it highly explored in moments of tension in Classical Music, as in the first movement of Ludwig van Beethoven’s 5th Symphony. In contrast, the tritone is an essential element of pioneering groups of Heavy Metal like Black Sabbath. We named this species in honor for all headbangers and fans of extreme music usually dressed in black like Atractus tritono. |
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